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Marcelo Kayath MK
Приєднався 6 жов 2011
1986 Andrés Segovia Masterclass - Marcelo Kayath plays Fandango by Joaquin Rodrigo
This was the 4th and last class I had with Segovia in the 1986 USC Masterclass. From our previous classes I knew that he didn't want me to play fast, so I took it a little slower to get the full benefit from his comments and advice without getting into futile arguments about tempi. Problem is, he stopped me a lot less than I expected and the class ended up being a little too short. Anyway, it was an unforgettable experience. I hope you enjoy it.
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Відео
Marcelo Kayath plays La Maja de Goya by Granados in the 1986 Segovia Masterclass
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23.7.86 Kayath plays Granados' "La Maja" Guitar: 1948 Hauser I (courtesy of Dorothy deGoede)
Marcelo Kayath plays Ponce Variations Folias Espagna in the 1986 Segovia Masterclass
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Segovia Masterclass at USC Class of 21.7.86 Guitar: Fleta 1981
MK plays Ponce in the 1986 USC Segovia Masterclass
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Prelude and Allemande - Suite in A Theme and Variations on the Folia (beginning) 17.7.86 Guitar: Fleta 1981
Marcelo Kayath plays Turina - Fandanguillo
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Marcelo Kayath Recital in the Havana Festival - April/1986 Guitar: Fleta 1981
Marcelo Kayath Plays Piazzola - La Muerte del Angel
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Toronto Guitar Festival - June 1987 Guitar: Fleta 1981
Marcelo Kayath plays Villa Lobos Study 12
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Toronto Festival - June 1987 Guitar: Fleta 1981
Marcelo Kayath plays Villa-Lobos Studies 3 and 10
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Marcelo Kayath plays Villa-Lobos Etudes 3 and 10 Havana Festival April 1986 Guitar: Fleta 1981
Marcelo Kayath plays Soleares by Turina - from "Hommage a Tarrega"
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Marcelo Kayath, Guitar Recital at Havana Guitar Festival Abril 1986 Guitar : Fleta 1981
Marcelo Kayath plays Fandango by Joaquin Rodrigo
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Recital in Havana Festival April 1986 Guitar Fleta 1981
Marcelo Kayath plays Sevilla by Albeniz
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Marcelo Kayath plays Sevilla by Albeniz in a Toronto Recital in 1987
Guitarist Marcelo Kayath - Weiss: Tombeau sur la mort de Monsiuer de Cajetan
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Marcelo Kayath at 17 years old plays Weiss Recital atTeatro da Paz, Belém, state of Pará (Brazil) Guitar by Paul Fischer
Guitarist Marcelo Kayath plays Manuel Ponce: Gigue from Suite in A
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Marcelo Kayath at 17 years old Recital at Teatro da Paz - Belém, state of Pará, Brazil Guitar by Paul Fischer
Marcelo Kayath plays "Zapateado" by Joaquin Rodrigo - Toronto Recital, June 1987
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Zapateado by Joaquin Rodrigo is the last piece of "3 Piezas Españolas"
Marcelo Kayath plays "Jorge do Fusa" by Garoto - Toronto Recital June 1987
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Kayath plays here his own arrangement, as recorded in his LP "Villa-Lobos and Garoto"(1987)
Marcelo Kayath plays Julia Florida (Barcarola) by Barrios
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Marcelo Kayath plays Julia Florida (Barcarola) by Barrios
Marcelo Kayath plays Waltz "Naqueles Velhos Tempos" by Garoto - Toronto, June 1987
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Marcelo Kayath plays Waltz "Naqueles Velhos Tempos" by Garoto - Toronto, June 1987
Marcelo Kayath plays Sonho de Magia by João Pernambuco
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Marcelo Kayath plays Sonho de Magia by João Pernambuco
Marcelo Kayath plays Marlos Nobre - Prologue and Toccatta op. 65 - dedicated to Kayath
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Marcelo Kayath plays Marlos Nobre - Prologue and Toccatta op. 65 - dedicated to Kayath
Marcelo Kayath, guitar - Suite in E minor - Dietrich Buxtehude transc. Bream, revised by Kayath
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Marcelo Kayath, guitar - Suite in E minor - Dietrich Buxtehude transc. Bream, revised by Kayath
Marcelo Kayath - Granados - La Maja de Goya - Toronto 1987
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Marcelo Kayath - Granados - La Maja de Goya - Toronto 1987
Marcelo Kayath - Torroba Sonatina 3rd Movement Allegro
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Marcelo Kayath - Torroba Sonatina 3rd Movement Allegro
Marcelo Kayath 3rd movement Castelnuovo-Tedesco Concerto - Guitar'84
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Marcelo Kayath 3rd movement Castelnuovo-Tedesco Concerto - Guitar'84
Marcelo Kayath 1st Movement Castelnuovo-Tedesco Concerto - Guitar'84
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Marcelo Kayath 1st Movement Castelnuovo-Tedesco Concerto - Guitar'84
he learned nothing from segovia
Is Segovia correct that the the 3rd note of bar #4 should not be sharpened ? I read it differently.
Fantástico!
Segovia was the master of the classical guitar in his time nobody plays the guitar like him no doubt
Great playing, MK!
He is a rather good player, sure some immaturity but a good playet
Mesmo eu não entendendo nenhuma palavra que o Mestre segovia falou, eu entendi qual a sonoridade que ele quer que seja tocada no violão. Cada frase precisa ter seu tempo pra aparecer nítida, mesmo que seja um compasso com fusa, com ligados, tudo precisa ser claro aos ouvidos. Tudo precisa ter uma articulação bem feita para ficar belo. Realmente poucos MORTAIS conseguiram esse feito. O Marcelo kayath é tão genial que entende rápido e reproduz o que precisa ser feito com tanta calma, pelo menos é o que transparece pra nós. Será que o Marcelo fez algum vídeo comentando sobre esse dia??? Fiquei curioso pra saber sobre.
Que lindo!
Segovia: boring teacher
Segovia tenia razon..😊
"Not so quikly..." Who never hear this from his teacher?
Man, he really plays that piece well!
God level.
Master without Harmonik and melodic knowledge 😢
Muito bom.
Fandango by Joaquin Rodrigo. One of my most favorite pieces. I thought Marcelo played it beautifully. But if Maestro Segovia tells you to stop, than there is a problem. But Marcelo played amazingly. This guitarist gives him ten thumbs' up! However, I would have loved for Segovia to give me advice, and constructive criticism. What an amazing opportunity.
Marvelous player, beautiful tone, great hands
prettyimpressive comments by Segovia about interpretation at age 93..
The pressure performing to the master himself! My fingers wouldn’t have worked that day the way I wanted them too lol. To much trembling
Segovia is 93 here. Really, he shouldn't be "teaching" in the state he is in at this stage of his life. He is not capable of teaching properly. 5:00 to 5:21 WTH? These students just wanted the esteem of saying "I was taught by Segovia".
"ebony is tilting i have to tell the same...because you immediately begin the in day is not the way to play.. is very well you have very good time. beginning i have to tell you. you have measure well" something like that by an awkward silence by the student and some mediocre playing followed. what's the problem here?
Segovia was a difficult audience but I guess he did make a few good points there.
Very interesting, Segovia seems to have a fixed mental image of every piece he played. I always wondered why he increased the tempo of the Allemande in Ponce's a minor suite so much, did he think that necessary? But actually here he had you slow it down slightly, it's as if a recording of the way he played the piece is stuck in his mind and no other interpretation is allowed, yet this Allemande in particular is played far faster than the usual Allemande. In any case you did a good job of adapting to Segovia's suggestions on the fly. Will check out the Las Folias variations too.
❤❤❤❤
Segovia was a great teacher indeed.
To play like that as well as he did under that much criticism must mean he is a better guitarist than Segovia
No digas pavadas
¡Pulse has it under the back!
segovia was a very big asshole
Juliam Brean Brasileiro❤
F# F?
Impecável
Muita energia!
Watching and listening to MK play the Folias de Espana is a wonderful demonstration of his marvelous technique and musicianship. But to me , what the maestro was trying to convey was that this piece by Granados is NOT a guitar piece… it is a vocal. And the guitarist must let his instrument also sing it. As beautiful and expressive as the guitar can be , it cannot match to nuances of the human voice. Towards the end of the video, MK begins to understand that , but still fails to accent via rubato certain notes that Segovia does on his recordings of the piece that make such a work of poetry from the composition . Nevertheless, Mr K is a very gifted guitarist .
fá fá fá fá fá....kkkkk. muito bom esse vídeo. Você toca muito Marcelo, diferenciado. Abençoado por ter vivido isso ai. Que inveja.💯👏👏👏
One of the best, I think Segovia enjoyed this….I did. What a great sound from his fleta.
I was in the audience when i was a music student there...
Fine Job Maestro Kayath - the elder Maestro was 94 here and with only a cane to get about. !
Magnífico! Sonoridade e colorido.
Extraordinária performance: técnica, sonoridade e atitude. Entre os melhores, certamente. Bravíssimo, Marcelo e bem-vindo de volta ao cenário do violão erudito.
I dont know but seems Segovia was not in a good mood that day hahhah Segovia is the guy who just started to play Villa-Lobos cus Bernstein told Villa-Lobos's music was amazing...
Bravo Marcelo 👏👏👏
Bravo 👏 👏👏👏 Excelente performance Marcelo. Ainda não tinha visto essa aula. Você foi de uma segurança impressionante. Sem dúvida: Segóvia gostou muito! Dava para perceber a admiração nos olhos dele. Obrigado por compartilhar conosco essa sua aula. Maravilha!! Parabéns!
Foi no mesmo dia do Chapdelaine, se não me engano😅
Muito lindo parabéns João Pernambuco foi um grande gênio do violão nunca esqueça dele abraço
Bad fake Music - what a waste of time!
Marcelo Kayath é o cara. Eu tive a oportunidade única de assistir a um recital dele na Semana Villa-Lobos em 1987 em Campinas. O recital foi demais. Ele tocou Sonata em D. de Mateo Alveniz. Eu adoro esta música.
Nossa, que pegada!!!! Muita precisão e lirismo juntos.....qualidades muito difíceis nos dias de hoje. Muitos tem uma ou outra, o Marcelo tem as duas....e outras qualidades sobrando! Uma maravilha de interpretação! Grande abraço!
Uno de los problemas de nosotros los guitarristas es que ante la carencia de sonoridad del instrumento se quiere suplir con velocidad disfrazada de "virtuosismo", se nota más aún en las transcripciones de piano a guitarra. Cuando la riqueza de la música no está en la velocidad. 👍
Curiosamente assiste hoje a um vídeo de uma entrevista com o premiado Sérgio Abreu, violonista brasileiro, que fazia dupla com Eduardo Abreu, e que faleceu neste fim de semana, em que ele fala exatamente isto. Num recital em duo, tinha que prestar atenção no parceiro, para não sair acelerado.
Bravo! Bravíssimo!
KAIATH MESTRE!
I got the impression that he had made his point about tempo and it would come as you mature into your playing. So, I disagree that your lesson was too short, I'd say you missed it and, forgivably so, went on pretty much in a futile argument regardless of whether it was overtly expressed. I must say I enjoyed the more slowed down tempo, I feel it brought more essence to the fore and related more to the guitar, to the piece and to the teacher.
What a feast to see and listen ❤️